home sweet home - degrees of seperation
In his memoirs, Stephen Fry remarked on an encounter he had with Alastair Cooke.
After shaking hands, the writer and broadcaster synonymous with letter from America, informed Fry that he was shaking the hand of someone who had shook the hand of Bertrand Russell.
When Fry displayed amazement, the man of letters added that it didn’t stop there, and that Bertrand Russell knew Robert Browning and Bertrand Russell’s aunt had danced with Napoleon.
This example of ‘degrees of separation’, a concept which influenced the early thought on social networks, reminded me of a curious connection between my homeland of south Wales, the promised land of America, the notion of home and the politics of otherness.
The sentimental ballad “home sweet home”, written by John Howard Payne in 1822, and adopted after his death as a unifying propaganda during the American Civil War, offered solace in a time where a nation was divided or split geographically.
The song became synonymous with the opera singer Adelina Patti who was described by Giuseppe Verdi in 1877 as being perhaps the finest singer who had ever lived. Abraham Lincoln famously implored the singer to console him with the ballad after the loss of his son Willie to typhoid. The talisman of home offering comfort and protection in a time of mourning.
Oscar Wilde, a man famous, and sometimes infamous, for his use of words referenced Patti in his fiction.On his tour of America the aesthete attended a performance by the singer as a closing entertainment of the Cincinnatti Opera Festival. Wilde was taken backstage to meet Adelina and the experience was to have a profound effect on the writer. He included references to Patti in his only novel “The Picture of Dorian Gray”, a strange kismet that seemed to foretell his impending destiny. After Wilde’s disgrace and downfall the country to offer Wilde refuge and ‘home’ was France, the nation that offered Liberty in symbolic form to America. Paris would become his home and his final resting place. In the nineteenth century, Britain was not a place to offer ‘home sweet home’ to the homosexual.
In the latter part of her life, Patti resided in the Swansea valley in her retirement home at Craig y Nos, where she built her own theatre. She died in the Welsh castle, but her final resting place would be alongside her beloved Rossini in Père Lachaise, a Parisian locale she would share with Wilde after death.
These serendipitous events reflect the arbitrary possibilities of our social networks. The pervasive sentiment offered by this ballad has permeated generations and centuries and presents us with an idea that should make us reflect on how we connect with others, how we understand our place in the world, and how we generate discourse of belonging and otherness.